Real Deserts

we are the music makers

Moved the site over to Pure Blog

Switched over realdeserts.com to use Pure Blog, a simple PHP based blogging platform by Kev Quirk. It's great!

I'd been looking for an excuse to try out a simpler site platform for running sites that have very simple needs.

Around here I mostly use the site for sharing out quick music links and such. (The kind of stuff I'd otherwise spam the group chat with lol.)

On WP, I kept wanting a quicker way to share out blog posts. Could get the app, but nah.

With Pure Blog, I can write / share to a markdown app (Obsidian currently), then sync / upload (Secure Shellfish currently, and or possibly Working Copy in the future) to post it. Plus I get a future-proof backup for free. Pure Blog should work great for all that. I'm happy.

Converting old posts was a small chore, so I'll just share what worked for me.

Tried https://swizec.com/blog/how-to-export-a-large-wordpress-site-to-markdown/ and that one didn't work for some reason. I forget why? Some weird node error. Then got it working but it didn't have the right post data, and I couldn't figure out how to customize it, so I bailed.

Went with https://github.com/lonekorean/wordpress-export-to-markdown and here's what worked for me:

$ npx wordpress-export-to-markdown --input=export.xml --frontmatter-fields=title,slug,date --post-folders=false --prefix-date=true --date-folders=none --save-images=all

Mostly fine. Here's how it turned out, as an example:

---
title: This should really be the default Novation Bass Station design
slug: this-should-really-be-the-default-novation-bass-station-design
date: 2026-02-24
status: published
---

![](content/images/e4e1d83d-f2cc-44a1-9832-a6539f38b1ab-1024x1024.jpg)

[https://handprinted.co.uk/blogs/blog/meet-the-maker-ian-swifty-swift](https://handprinted.co.uk/blogs/blog/meet-the-maker-ian-swifty-swift)

A few issues though.

Issue #1: Quoted Titles and Slugs

Post titles and slugs are enclosed in quotes. Aside from finger flaunting your titles, this causes issues with and or possibly breaks links, so you need to change the following to remove the double quotes:

# wordpress-export-to-markdown-master/src/writer.js
# line 81:
outputValue = value.reduce((list, item) => `${list}\n  - ${item}`, '');
# line 103:
outputValue = `${escapedValue}`;

Issue #2: Unpublished Posts

Then, to get posts to show up once imported, you have to publish them. But lonekorean/wordpress-export-to-markdown exports this as draft: true when a post is draft, whereas Pure Blog expects status: published when a post is published. Cool, cool.

You can do a find and replace to set posts to published. There's probably a better way to do this, but this is a quick solution that worked for me.

Find:

---

Replace:

status: published
---

Issue #3: Image Paths

Finally, in Pure Blog, images are stored in the content/images folder, so you can update that.

Find:

(images/

Replace:

(content/images/

I think that's it

Thanks Kev for making Pure Blog!

Hope this helps someone in the future, quite possibly myself.


The Notwist - News from Planet Zombie

https://thenotwist.bandcamp.com/album/news-from-planet-zombie

The Notwist perfectly capture a certain feeling of claustrophobic nostalgia that seems increasingly common these days, as the past continues to overrun its borders and invade every aspect of modern life.

Edit: lyrics:
https://genius.com/albums/The-notwist/News-from-planet-zombie


Unwound - Repetition

https://www.youtube.com/watch?v=xAERndXV0yw

1996, Olympia, WA


Basic Country Mustard - Red River Dialect

https://redriverdialect.bandcamp.com/album/basic-country-mustard

Recording sounds good - real good.

Not sure what I was expecting based on the artwork; certainly not this wispy dream of an album.


Of Time - Underground Spiritual Game

https://vibromonk.bandcamp.com/album/of-time

Digging this ethio jazz album.

Bari sounds lush. Rhythm section is 100% not manhandling things.


Earth - Clown Core

https://www.youtube.com/watch?v=sR\_rPd\_ufK4

2020 was a weird year


Step inside this Steinway-playing internet stranger's living room, stay awhile

https://www.youtube.com/playlist?list=UU2GNsBFsoVtbgXP8BTsO16w

👉 https://www.youtube.com/playlist?list=UU2GNsBFsoVtbgXP8BTsO16w


This should really be the default Novation Bass Station design

https://handprinted.co.uk/blogs/blog/meet-the-maker-ian-swifty-swift


Sounds of The Dawn

https://www.youtube.com/playlist?list=UU7brSEzOeLLb0l3QhAtdkgw

All videos as a playlist.

Olde / New / Age / Youth


Bunky Green - Places We’ve Never Been

I was introduced to this album today. It’s a fantastic combination of wild overtone playing and pop jazz styles.

This one was an instant classic for me along the lines of Sonny Criss’ Sonny’s Blues. Green’s setup is bright and sounds resistant.


Oguz Aksac - Atamadim Sevdami

https://www.youtube.com/watch?v=qZ2GC26d9ps

via TÜRKÜ RADYO - "Türkülerin Dogru Adresi"


MCD

Your decade-ly reminder that the Murder City Devils were a band.


Invisible, Inc. / Glasgow, UK - Resonance: 10 Years Of Vibrational Sounds From The Heart Of Invisible Inc

https://invisible-inc.bandcamp.com/album/resonance-10-years-of-vibrational-sounds-from-the-heart-of-invisible-inc

The album artwork caught my eye. Interesting label.


Intertapes is a growing collection of user-submitted, lost-and-found cassette tapes

https://intertapes.net/heraklion

This one is a super ragged halfway destroyed dance mix found in Crete.


Kenny G and Miles Davis


Philip Glass - Mishima Closing | Multiphonic Saxophone Quartet

psst

👉 https://www.youtube.com/watch?v=lkJjgDBNAu4

https://en.wikipedia.org/wiki/Zollverein_Coal_Mine_Industrial_Complex

https://www.zollverein.de


Československý Jazz

Found this series while researching Karel Velebny (1931-89) Czech band leader, vibraphonist, saxophonist, pianist, composer, actor, educator -- and composer of the soundtrack to the Weston Woods / Children's Circle classic short film Moon Man (1981).

Československý Jazz was a Supraphon annual LP series released between 1960 and 1967. See also parallel export series for Artia: Jazz In Czechoslovakia.


Julian Sartorius & ET|ET - RLLRLRLLRRLRLRLRLLRLRLR

https://www.youtube.com/watch?v=hZ4HRiNTQC4

Minimal<Maximal<Machine<Mistakes

I missed this one! A fan of Julian Sartorius' peripatetic percussion recordings. The fifth member interrupts the automation, as a producer / engineer would, to sculpt the music, but tangibly rather than from behind the glass.


Naniwa Express - No Fuse (1982)

Not gonna send this to the non-bass players, but, yeah.

https://www.youtube.com/watch?v=jB6Ujoa6VRA


James Blackshaw - New Album 2023

https://jamesblackshaw.bandcamp.com/album/new-album-2023

--

I first heard "Running To The Ghost" sometime in 2007. Back then I worked doing data entry for music. Quaint! Seemed normal then, even if it had its perks. Though we now have streaming and all (Rdio RIP) my old job remains the best chance I ever had to hear wide swaths of interesting music. A lot can change in 15+ years. If not always for the better, then surely things only get more complicated.

We can be surrounded by music constantly, our choice, if we want to be. We hear it and it's then gone from immediate experience. Which for me makes live music all the more special.

Music is a gift. In the past when I heard people say that, I used to think they meant something like "you're so gifted, thank you for sharing your talent." Nevertheless, there's another aspect: the gift that professional musicians give to listeners (aside from years spent practicing) is actually traveling around. (A musician friend once called himself a professional driver, which is very true.) In exchange, a lot of musicians give up whatever stability and community that the rest of us take more or less for granted.

Musicians do have their fans. They're somewhere out there. You can't call them up or get on a group chat with them all. You can't really get them all together in the same place. Do they really exist?? Sometimes you wonder, in a "When I'm Sixty Four" sense. I've heard it said the opposite of doubt - isn't certainty - it's faith. Musicians would seem to need a lot of that these days when you consider the time and money involved in recording and releasing a new album, and the lack of interest by anyone else helping pay for it up front. Personally, as someone not big on faith, I'd rather go the DIY certainty route myself, and who cares about the rough edges. As in, buy some gear, and listen and learn to use it as you go. Either way. Regardless of approach, that doesn't diminish my next point.

Powerfully, the work that artists do, is sometimes not so much commoditizing their artifact -- the encaustic on the gallery wall, the sculptural metalwork, the premiere of their documentary -- but the dutiful and earnest documentation of their life's journey. Not so much in the sense of presenting an outlandish persona. Though that can be fun. More so, sharing consequential experiences. When that magic intersection happens, art / music / life is better for it. And hey, musicians, by all means sell some merch too. Just remember to give us listeners something to live by. For example:

"Running To The Ghost" was the track that drew me in with its hypnotic lushness. And over repeated listens it dawned on me that all this vast sound was coming from one guitar, one pair of hands, 6 pairs of strings, and it opened a possibility. And maybe a challenge? Further in, the meandering landscape of "Clouds Collapse" / "The Mirror Speaks" / "Stained Glass Windows" revealed to me a sensibility and pathos that took no captive prisoners of guitar traditionalists, of which there are many varieties, and in time I think I came to appreciate that even more. And with that pathos, it's evident that this music came from a person with strong experiences, and the music's form followed the need to express that.

Thank goodness, James Blackshaw again opens up another way. Fahey's certainly here. So is the open ended templates provided by the likes of Can and Bo Diddley. To my ears, so are the tears and blood of the Child Ballads. I am at this point the type of grumpy person that if I hear yet another sloppy blues turnaround I'm going to publicly lose all polite decorum, so for this listener the source aquifer has to go much, much deeper than the dried up Woodstock mudpit of mainstream guitar. A music that honors its ancestors and destroys its idols is bound to reward my attention, and if you've gotten this far, yours too.